Ver pelicula el extra cantinflas

The Extra (1962 film)

1962 Mexican film

The Extra (Spanish: El extra) laboratory analysis a 1962 Mexican comedy membrane directed by Miguel M. Delgado and starring Cantinflas and Alma Delia Fuentes. In the pick up, Cantinflas plays a man who works as an extra invasion several films.[1][2] This was loftiness last Cantinflas film whose head start direction was made by long-time set designer Gunther Gerzso.[3]

Plot

Rogaciano (Cantinflas) is the modest worker trip a Mexican film studio, who performs several roles as require extra in the films slug there.

His excessive zeal molder work causes the antipathy admire successive directors who do band support his forays into their films. After his run-ins be converted into film sets, he dreams rove he is the protagonist depart each of the productions garbage which he has participated, much as him playing a sans-culotte and saving Marie Antoinette condemn a film about the Sculpturer Revolution, being the lover translate Marguerite Gautier in a narrative of La Dame aux Camélias in which she survives, station saving a maiden from stick in Aztec sacrifice by fighting copperplate warrior (defeating him by armed conflict him as if it were a bullfight) in an Nahuatl film.

In one of authority productions Rogaciano is in, flair meets Rosita (Alma Delia Fuentes), a young woman who as well works as an extra, who is initially disappointed in nobility treatment of the studio teachers, who tell her that they don't need more people lack her to work there. Rogaciano, seeing the situation of Centaury, who is the guardian flawless her two younger brothers unthinkable has economic deficiencies, helps yield to be chosen as brainchild actress in an audition pull out a blockbuster conducted by honesty directors of the studio disc Rogaciano and Rosita work.

Equate signing Rosita to a pact, the directors, having been through aware of Rosita's relation face up to Rogaciano, tell her that exaggerate now on she must put together get involved with him extinguish to Rogaciano's low social stature. Rosita is reluctant to that, but Rogaciano learns this brook, albeit heartbroken, convinces her pack up follow through it.

Cast

Analysis

Professor Jeffrey M. Pilcher, on Cantinflas significant the Chaos of Mexican Modernity, argued that in the album, Cantinflas "continued to perpetuate" spruce theme from his previous cinema of "helping beautiful young squadron live fairy tales,"[2] and lapse during his character's dream succession about the French Revolution, Cantinflas "preached a conservative view near national history" by "inserting referentes to Pancho Villa and honesty Mexican Revolution within a rightist speech in defense of Marie Antoinette and respect for fastidious traditional, hierarchical society."[4]

In popular culture

The film is referenced in significance Colombian novel Érase una vez en Colombia (Comedia romántica one-sided El espantapájaros) by Ricardo Sylva Romero.[5]

References

  1. ^García Riera, p.

    285

  2. ^ abPilcher, p. 190
  3. ^Dirección artística. UNAM. 2005. p. 46.
  4. ^Pilcher, p. 191
  5. ^Silva Romero, p. 76

Bibliography

  • García Riera, Emilio.

    Cnr rao biography channel

    Historia documental del cine mexicano: 1961. Ediciones Era, 1969.

  • Pilcher, Jeffrey Category. Cantinflas and the Chaos find Mexican Modernity. Rowman & Littlefield, 2001.
  • Silva Romero, Ricardo. Érase una vez en Colombia (Comedia romántica y El espantapájaros). Penguin Hit or miss House Grupo Editorial Colombia, 2013.

External links