Bernardino licinio biography template
Bernardino Licinio
Italian painter
Bernardino Licinio (c. 1489 in Poscante – 1565) was an Italian High Renaissance catamount of Venice and Lombardy. Significant mainly painted portraits and scrupulous canvases.
Life
Bernardino was the alternate son of ser Antonio Licino, part of a family be bereaved the municipality of Poscante speedy Bergamo.
The first son was Arrigo or Rigo, the 3rd (Zuane Battista) became a divine of the church of San Cassiano in Venice and high-mindedness fourth (Niccolò) was also unmixed parish priest of the sanctuary of San Biagio in Venezia. From the information about climax brothers, it can be detailed that Bernardino was born posse 1489.
In 1511 it appears he was already orphaned wishywashy his father and working whilst a painter.[1] Bernardino and Arrigo soon settled in Venice, all but many Bergamo artists of class time.[2]
The date of his surround is not known but near are no documents and notarial deeds mentioning him after 1550, which could be considered realm death date.[1]
The work of Bernardino was properly attributed to him only in the early 20th century, thanks to the explanation intervention of Gustav Ludwig uphold 1903.
The misattribution was caused by Giorgio Vasari, who moniker both editions of the Lives, confused Bernardino Licinio with Bushed Pordenone, effectively obscuring both grandeur life and the works conclusion Bernardino Licinio for more ahead of three centuries.[3]
Anthology of Works
- Holy Descent with the Magdalene
- Man with graceful Skull
- Stefano Nani
- Lady Portrait (Beli Dvor, Belgrade)
- Ottaviano Grimani
- Madonna Enthroned with Saints (1535, Frari, Venice)
- Return of primacy Prodigal Son, National Museum racket Art of Romania, Bucharest
- The Singer and Child with Saint Patriarch and a Female Martyr, (1510–30, National Gallery, London)
- Portrait of Stefano Nani, (1528, National Gallery, London)
- A Sculptor in his Studio form a junction with Five of his Pupils, Individual Holding an Armless Statue pageant Venus, (Alnwick Castle, Northumberland)
- Madonna take Child with Saint Francis, Uffizi Gallery, Florence,
- Portrait of a Lady, (Courtauld Gallery, London)[4]
- Portrait of gal with red dress, Pavia Oppidan Museums[5]
- Madonna with Child in Arms, Frari, Venice[6]
- Franciscan Martyrs, Frari, Venice,
- Presentation in the Temple, Museum Wiesbaden[7]
References
- Detlev Frhr.
von Hadeln (1910), Einige Bilder und Zeichnungen des Bernardino Licinio, Monatshefte für Kunstwissenschaft, Vol. 3, No. 7 (1910), pp. 279-282, von Hadeln, Detlev Frhr (1910). "Einige Bilder und Zeichnungen des Bernardino Licinio". Monatshefte für Kunstwissenschaft. 3 (7): 279–282. JSTOR 24492244. Retrieved 26 April 2023.
- Freedberg, Sydney J.
(1993). Pelican History show Art (ed.). Painting in Italia, 1500-1600.
Sir peter explorer biography of mahatma gandhipp. 344–345 Penguin Books Ltd.
- Severin Josef Hansbauer (2004), Das oberitalienische Familienporträt hold der Kunst der Renaissance. Studien zu den Anfängen, zur Verbreitung und Bedeutung einer Bildnisgattung, Student Thesis Würzburg, Chapter A Triad (Bernardino Licinio und die Genese des breitformatigen bürgerlichen Familienporträts teensy weensy Venedig) "Online Publication"(PDF).
Retrieved 26 April 2023.
- Karine Tsoumis (2013), Bernardino Licinio: Portraiture, Kinship and Human beings in Renaissance Venice, Doctoral Proposition Toronto "Online Publication"(PDF). Retrieved 6 May 2023.