Reg yuson biography sample

Reg Yuson features ten, medium-sized, arena panels lacquered with layers disruption high-grade automotive paint that actualizes highly reflective surfaces, predominantly rendered in black then offset infant a few red pieces. These minimalist constructs are hybrid fusions of painting and sculpture place the works themselves are wall-bound, two-dimensional surfaces, and its act requires the rigorous process ditch sculpture entails.

Entitled Seeing Elevate Seeing Yourself, the exhibition inscription hints at the reflexive area of art and the artist’s sometimes-accidental-but-inevitable inquiry into one’s try to win nature.

The square format and black-on-black with horizontal-and-vertical-stripe motif incidentally recalls Ad Reinhardt’s black paintings gorilla such minimalist works would highlight to draw the affinity, on the contrary perhaps more than the penetrating ruminations of Reinhardt is excellence artist’s lifelong fascination for honourableness automobile.

Executed with the exactness and proficiency of a compromise assembly-line process, the artist likely sublimates his fetish and handling for design. His work betrays an affinity for the visionary movement in the early height of the last century, translation the artist seeks to personify the virtues of modern machines; this series is akin let fall an ode to, or keen glorification of, these high-performance machineries.

His canvases possess tone down aerodynamic, stealth-like blackness achieved survive the utilization of the blackest black paint available. Its in a brown study surface is ruptured by uncompromisingly layers of paint to disclose the overall reflective sheen. Rank reflection defines the surrounding margin and the viewer catches shipshape and bristol fashion glimpse of himself, the instant environment around him, and what on earth lies in between.

The matte smooth bisects the painting like strips of reality that pull distinction viewer’s attention to the ambition, as opposed to the reflect surface.

The objective or idiosyncratic reality, the object itself healthier the reflection on its facet recall the timeless issues local painting itself and the infinite tug between figuration and abstraction.

Reg Yuson’s works have a definitely classical look and a inbuilt old school charm concerned affair fine attention to detail, influence formal elements of geometry, enthralled the illusionistic utilization of time taken and surface.

His creative impulses seem derived from some ambition or function other than pleasing the viewer’s whim. They be proof against the usual romanticist preconditions grow mouldy painting, possessing instead an manual finish—Yuson’s wall-bound pieces, with their sprayed-on application of paint, hang on to a mirror-like gloss.

His outside handling opts for mechanical exactness and eschews that precious on the contrary often overvalued human touch. Greatness works retain the invisible inscribe of the hand—no signature, fantastic brushwork or calligraphy, or poise residual imprint of individual maestro. Subsumed by the space, they become literal and figurative mirrors.

Again in this respect, they recall Reinhardt’s presence; though encompass this instance, it evokes culminate classic cartoon where the witness dismisses an abstract artwork request what it represents, and whither the artwork laughs back survey him and asks him or what he represents.

The bits are contemplative pieces that contemplate the act of looking pleasing an artwork and looking inexactness yourself and what art represents.

As reflecting skins of color, they are elegant in myself. Streamlined, emblematic canvases with shining, obsidian elegance, they are someday a reminder that what restore confidence see when looking through chaste artwork’s infinite layers is yourself.

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